Finally, my band Rhee has gotten somewhere, and that is at the 13/14 place on a CD that was released on the 19th of September, 2009. This was a marvelous effort from Jewel of Miles/X Factor fame, who is a brilliant guitarist and producer. In a rush, he accepted 120 demos, and then chose 32 out of them primarily, and recording was arranged for them, and based on the quality of the song and recording, 28 bands got published in two albums: Rock 202, and Rock 303. These are a followup to his first arrangement Rock 101. But already, the consensus is that Rock 202/303 is the best rock compilation to have ever been released so far.
A lot of people were asking however, whether the songs are available online, or if I could pass them a copy of the song. One asked specifically, are you getting anything out of it? If yes, I'll buy the CD, otherwise I'll download it. The truth is, the band doesn't have any formal agreements about with the producers of this album. Donno if any of the bands do! All we get out of this is publicity (*?), and the recognition. It does feel good to be picked, and seeing all the bands around, you know exactly how you need to improve, step up your game, get serious.
I think theres a bad cycle involved when it comes to Rock and other subgenres which are loud, and edgy. There are artists like Momtaz, Asif, Habib, Balam, who enjoy a larger audience, and thus have a lot of sales and make the executive producers, labels happy. My theory is that their demographic also has the least amount of downloaders/freeloaders. And they also enjoy additional demand from tv, and movies etc. For Rock music, already with a marginal audience, has the most amount of people who download, listen to mp3 and thus share more. Also, there is the mixed feeling about whether the money spent on the CD is actually reaching the artist(s).
* The rock bands and other artist of such genres also have their works released to no efforts at publicity on the part of their labels! its mostly a lose - lose situation for the artist, with only the satisfaction of having released something to be gained. What do the labels gain from this? They must gain something out of it, my theory is that its not enough (according to their profit accountants) to pass on to the artists for them. My theory is that the fans of these bands need to 'create' a favorable market for their favorite artists by buying their albums and making sure, others around them are buying them. That's my theory. Whats yours?
